Sur le Squelette d'Ikkyu, 2017-2018

Triptych realized in lithography on 3 sheets BFK rives paper.
Édition à 50 exemplaires
Signed and numbered by the artist on each sheet of paper
23.62 x 94.49 in (60 x 240 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
1500 €

Trois Fois mon Frère, 2017

Black and red lithographic print on BFK Rives paper
Édition à 35 exemplaires
Signed, dated and numbered by the artist
25.59 x 31.1 in (65 x 79 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
400 €

Les Enfants et le Géant, 2017

Color lithographic print on BFK Rives paper
Édition à 35 exemplaires
Signed, dated and numbered by the artist
25.59 x 31.1 in (65 x 79 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
400 €

Mon Grand-Père sur le Front, 2017

Seven colors lithographic print on BFK Rives paper
Édition à 40 exemplaires
Signed, dated and numbered by the artist
25.59 x 31.5 in (65 x 80 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
550 €
DAVID B

David B. (Pierre-François Beauchard, known as)
Born in 1959 in Nîmes
Lives and works in Bologna
David B. studied at the École des Appliqués Duperré in Paris

David B. is a cartoonist, comic book writer, and publisher. He began publishing in magazines in 1985. In the 1990s, he was one of the founders, along with Joan Sfar and Marjane Satrapi, of the Atelier des Vosges collective and the publishing house L'Association, which sought to renew the comic book genre. He has created a series of autobiographical graphic novels. David B. mainly uses black and white in his drawings. His publications reflect his interest in history, art history, cinema, literature, and issues affecting marginalized groups in society. He received the Töppfer Prize from the city of Geneva in 2000 and 2003 and the Alph'art for best screenplay at the Angoulême Festival in 2000. In 2008, he received the Grand Boom-Ville de Blois Prize for his entire body of work. In 2016, the Le Pavillon Blanc art center in Colomiers and the Musée de l'Abbaye Sainte-Croix in Les Sables d'Olonne dedicated a solo exhibition to him.     

David B. said: "It is by putting pen to paper that thoughts take shape. They need to be supported by practice. When we draw, we enter a slightly altered state, which allows emotions to be released and come to the surface ".

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