Variations d'un autre paysage, 2025-2026
Monotype original en couleurs sur fond d'impression en lithographie 3 couleurs, sur papier BFK Rives 300 grammesTirage à 46 exemplaire, chaque épreuve unique
31.1 x 23.62 in (79,5 x 60,2 cm)
Imprimé sur les presses de l'atelier Stéphane Guilbaud & Deborah Chaney et rehaussé par l'artiste à La Force
Mémoire du ciel 1#, 2025
Lithographie originale en 9 couleurs sur papier BFK Rives 300 grammesÉdition numérotée sur 40 exemplaires
22.05 x 29.92 in (56 x 76 cm)
Imprimée par Stéphane Guilbaud, Deborah Chaney et Thomas Marin sur les presses de l'atelier Guilbaud, La Force
Mémoire du ciel 2#, 2025
Lithographie originale en 9 couleurs sur papier BFK Rives 300 grammesÉdition numérotée sur 40 exemplaires
22.05 x 29.92 in (56 x 76 cm)
Imprimée par Stéphane Guilbaud, Deborah Chaney et Thomas Marin sur les presses de l'atelier Guilbaud, La Force
Baigneuse 1 (Nu Descendant l'Escalier), 2017
Nine colors lithographic print on BFK Rives paperÉdition à 35 exemplaires
Signed and numbered by the artist
31.1 x 23.62 in (79,5 x 60,5 cm)
Réalisée à l'atelier A Fleur de Pierre
Baigneuse 2 (Au Lac Tekapo), 2017
Color lithographic print on BFK Rives paperÉdition à 20 exemplaires
Signed and numbered by the artist
31.1 x 23.62 in (79,6 x 60,4 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
Baigneuse 3 (Se Retirant une Épine), 2017
Eight colors lithographic print on BFK Rives paperÉdition à 35 exemplaires
Signed and numbered by the artist
31.5 x 23.62 in (80 x 60,6 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
Baigneuse 4 (Sur la Fontaine River), 2017
Ten colors lithographic print on BFK Rives paperÉdition à 30 exemplaires
Signed and numbered by the artist
31.1 x 23.62 in (79,5 x 60,5 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
Paysage 2017 (Hawea. NZ), 2017
Five colors lithographic print on BFK Rives paperÉdition à 20 exemplaires
Signed and numbered by the artist
31.1 x 23.62 in (79,2 x 60,5 cm)
Réalisée à l'atelier À Fleur de Pierre, Paris
Bathing Beauties, 2017
Two colors lithographic print on digital print background. Each copie hand-drawn by the artistÉdition à 35 exemplaires
Signed, dated and numbered by the artist
27.56 x 37.8 in (70 x 96 cm)
Réalisée à l'atelier Clot, Bramsen & Georges, Paris
Olivier Masmonteil
Born in 1973 in Romilly-sur-Seine
Lives and works in Paris
Olivier Masmonteil studied at the Beaux-Arts in Brive-la-Gaillarde and then at the Beaux-Arts in Bordeaux.
Olivier Masmonteil is a painter and co-founder of the web series “Journal de la culture.” Committed from the outset to defending the practice of painting, he draws inspiration from art history, which he makes one of his subjects, reinterpreting works by old masters, portraits, landscapes, and still lifes in the series La Mémoire de la peinture (The Memory of Painting). He works by superimposing layers, freely adding elements to his copies of paintings using a variety of techniques. In other series, he paints landscapes, nature, and memories of his travels around the world, based on his photographs, which act as notes and recollections. His research into the history of painting has made him a master of techniques and color, using different mediums and ways of painting to vary colors, penetrate light on the canvas, “between opacity and transparency,” and give the illusion of depth of field. He exhibits in France and internationally. He participated in Immortelle at MO.CO in Montpellier in 2023 and in Jour des Peintres at the Musée d'Orsay in Paris in 2024.
Olivier Masmonteil said: “The sky is the greatest thing that human beings can comprehend, and to capture it in a painting, even a small one, is the painter's fantasy of putting the infinitely large into a limited space.”